This shows you the differences between two versions of the page.
| Both sides previous revisionPrevious revisionNext revision | Previous revision | ||
| media:riplp [2022/12/03 17:56] – [Extract tracks from LP (Vinyl Records)] Bernard Condrau | media:riplp [2023/11/05 12:49] (current) – [Preparations] Bernard Condrau | ||
|---|---|---|---|
| Line 3: | Line 3: | ||
| ===== Prerequisites ===== | ===== Prerequisites ===== | ||
| - | - A good phono turntable with a new stylus, or if not new, a stylus in excellent condition. The better your equipment, the better the quality of your recordings. I use a Technics SL-1210MK2 with an Ortofon Concorde 10 R stylus, which is the lowest mass cartridge on the market. The type of stylus you use depends on your preferred music, as well as your preference in sound. Experiment and make sure you are satisfied with the sound before you start recording. | + | - A good phono turntable with a new stylus, or if not new, a stylus in excellent condition. The better your equipment, the better the quality of your recordings. I use a Technics SL-1210MK2 with an Ortofon Concorde |
| - A phono preamp with USB connection so you can directly record to your computer. I use the [[https:// | - A phono preamp with USB connection so you can directly record to your computer. I use the [[https:// | ||
| - A computer which is sitting close to the turntable and phono preamp. My setup is such that my turntable and amplifier can be accessed on the back side through another service room, in which also a Linux computer is located. | - A computer which is sitting close to the turntable and phono preamp. My setup is such that my turntable and amplifier can be accessed on the back side through another service room, in which also a Linux computer is located. | ||
| - A tablet to operate the computer " | - A tablet to operate the computer " | ||
| - | - [[https:// | + | - [[https:// |
| - | - Additional software to facilitate enhancing the resulting audio files. Audacity can do it too, but it is quite labor intensive, be ready to put down hours for each record you intend to extract, except if you tolerate clicks and cracks from dust, scratches, and other imperfections of the some times very old vinyl records. There are tons of programs who claim to do a good job with this, I tried some, but was never happy until I found [[https:// | + | - Additional software to facilitate enhancing the resulting audio files. Audacity can do it too, but it is quite labor intensive, be ready to put down hours for each record you intend to extract, except if you tolerate clicks and cracks from dust, scratches, and other imperfections of the some times very old vinyl records. There are tons of programs who claim to do a good job with this, I tried some, but was never happy until I found [[https:// |
| - You might also want to use [[https:// | - You might also want to use [[https:// | ||
| - A DeEsser can improve your audio further, specially if your recordings suffer from very strong ' | - A DeEsser can improve your audio further, specially if your recordings suffer from very strong ' | ||
| - [[https:// | - [[https:// | ||
| - | - [[https:// | + | - [[https:// |
| - [[media: | - [[media: | ||
| Line 21: | Line 21: | ||
| - Linux " | - Linux " | ||
| - Install and configure [[deb10: | - Install and configure [[deb10: | ||
| - | - Install [[https:// | + | - Install [[https:// |
| + | - If you installed an additional plugin like // | ||
| - Windows " | - Windows " | ||
| - Install [[https:// | - Install [[https:// | ||
| - | - Install [[https:// | + | - Install |
| - Install [[https:// | - Install [[https:// | ||
| - Install [[https:// | - Install [[https:// | ||
| Line 31: | Line 32: | ||
| - Install [[https:// | - Install [[https:// | ||
| - If you don't like Audacity, you might find [[https:// | - If you don't like Audacity, you might find [[https:// | ||
| + | <color red> | ||
| ===== Work flow ===== | ===== Work flow ===== | ||
| I refined my work flow with the help of [[https:// | I refined my work flow with the help of [[https:// | ||
| Line 38: | Line 39: | ||
| - **Audacity**: | - **Audacity**: | ||
| - **Audacity**: | - **Audacity**: | ||
| + | - **Audacity**: | ||
| - **Audacity**: | - **Audacity**: | ||
| - **Audacity**: | - **Audacity**: | ||
| - **Audacity**: | - **Audacity**: | ||
| - | - **ClickRepair**: | + | - **ClickRepair**: |
| - | - **DeNoise**: | + | - **DeNoise**: |
| - **Audacity**: | - **Audacity**: | ||
| - **Audacity**: | - **Audacity**: | ||
| Line 48: | Line 50: | ||
| - **Audacity**: | - **Audacity**: | ||
| - **Audacity**: | - **Audacity**: | ||
| + | - **Audacity**: | ||
| + | - //Split Stereo Track// to have the stereo channels each in their own track | ||
| + | - Select the period to be replaced in the track of the good channel and copy to clipboard (for example 00: | ||
| + | - Select the identical period in the track of the bad channel and paste from clipboard | ||
| + | - Use //Make Stereo Track// to combine both channels back into one stereo track | ||
| - **Audacity**: | - **Audacity**: | ||
| - [[media: | - [[media: | ||